An adaptation of the Yves Klein performance “Blue women art” from 1962. 61 years after the artist Yves Klein used women like brushes (human paintbrushes) to paint canvases, the Bamberg-based artist Katharina Hückstädt takes up the performance and lets the objects of that time become artists themselves. It is about self-determination. The viewers become voyeurs who, as in a peep show, can only watch the happening through a slit in the window. The performance is accompanied musically by DJ Katz.